Era · c. 1500 – 1660

Renaissance & Elizabethan

141 plays from 16 playwrights

Between the rebuilding of the public theatres in late-Elizabethan London and the closing of the playhouses in 1642, English-language drama produced a body of work — Shakespeare's, Marlowe's, Jonson's, Webster's — so dense and so…

Advertisement

An overview of Renaissance & Elizabethan

Between the rebuilding of the public theatres in late-Elizabethan London and the closing of the playhouses in 1642, English-language drama produced a body of work — Shakespeare's, Marlowe's, Jonson's, Webster's — so dense and so durable that it has remained the central text of theatre training for four centuries. Continental Europe simultaneously produced the great Spanish Golden Age dramatists, Lope de Vega and Calderón. Together they form the bedrock of the early-modern repertoire.

Plays from this era (141)

Legacy & influence

Plays from Renaissance & Elizabethan continue to define what working theatre artists assume a play is. Drama-school curricula are built around them; regional theatres programme at least one of them every season; high-school English departments teach them year after year because students respond to the structural clarity and the language. What looks at first like pious veneration of the canon is, on closer inspection, a working consensus among practitioners that these plays still teach us how the form actually works.