Era · c. 1850 – 1900

Realism & Naturalism

183 plays from 61 playwrights

From the 1860s onward, a new generation of playwrights — Ibsen, Strindberg, Chekhov, Shaw, Hauptmann, Galsworthy — set out to replace the rhetorical conventions of nineteenth-century stagecraft with something that looked and sounded like ordinary…

Advertisement

An overview of Realism & Naturalism

From the 1860s onward, a new generation of playwrights — Ibsen, Strindberg, Chekhov, Shaw, Hauptmann, Galsworthy — set out to replace the rhetorical conventions of nineteenth-century stagecraft with something that looked and sounded like ordinary life. Their characters spoke in prose, lived in recognisable rooms, and confronted the social and psychological pressures of modern industrial society. The result was a body of plays that still feels startlingly contemporary in performance.

Plays from this era (183)

Legacy & influence

Plays from Realism & Naturalism continue to define what working theatre artists assume a play is. Drama-school curricula are built around them; regional theatres programme at least one of them every season; high-school English departments teach them year after year because students respond to the structural clarity and the language. What looks at first like pious veneration of the canon is, on closer inspection, a working consensus among practitioners that these plays still teach us how the form actually works.